cc - week 8 - live 2

In the dim distant days of the mid 90's, I used M[1]. This had a time warping feature as a simple graph (known as time distort), nowhere near as powerful as the Live feature...



Above are two different warp versions of a sample. Combined with a pitch shifting envelope I made this particular sample sound quite different, in terms of timing and duration and melodically.
Here is a little sample of the two loops, each repeated twice.


With the drum loops, the warping combined with the warp mode and pitchshifting (global and envelope), make for nice glitchy drum sounds.
This I combined with the follow actions creating a few 4 bar repeated phrases, which make it much easier to manage the liveness.

I appreciate much the sample manipulating features in Live.

The restrictive aspects is quite interesting. The limited effects are not such an issue because of the afore mentioned manipulating features, giving an amazing amount of variety out of a simple sound. And the limited matrix of potential clips, is not necessarily an issue when aiming for 45 seconds of sound, but with a bit of keen editing one could easily introduce a single clip of mulitple drum loops warped and manipulated extensively.




http://www.esnips.com/doc/e4c7bb74-72cd-4844-87b8-c8a3abf708d7/week08_cc_elatsic


[1] http://www.cycling74.com/products/M

Haines, Christian. Creative Computing week 08 lecture. University of Adelaide, 13 September 2007.

Ableton 2006, M-Audio Enhanced Edition Owner's Manual, Ableton.