For mixing down this week I've chosen an electronic piece I sort of finished several months ago, and dug out for a new perspective.
It features an interesting array of drum sounds, with most of the track having a "click" rather than a kick. And pretty much most of the bass spectrum actually lives in the bass line, with other sounds rarely touching the low end.
It turns out however that the first sample is from a section featuring another kick. It is in other respects quite a sparse section.
tiny tiny bits 01.mp3 (http://www.box.net/shared/tcxtrlx2cc)
The second sample is the first with a HPF and compression on the stereo mix.
tiny tiny bits 02 hpf+cmp.mp3 (http://www.box.net/shared/ozi60gbkkg)
Third sample is a different section and features the HPF and compression on the stereo mix.
tiny tiny bits 03 hpf+cmp.mp3 (http://www.box.net/shared/rfr7ru5a8c)
All files are at
http://www.box.net/files#0:f:15566470
REFERENCES
White, Paul. 2006. Mixing Essentials. Sound On Sound magazine.
Stavrou, Paul. More Salvage Mix Techniques. Audio Arts 2 Readings.
Wednesday, 28 May 2008
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment